Did you, as a young child, ever hear a story that wouldn't let you go?
That made you determined to visit where it happened before you died?
On May 20, 2016 I finally realized one such dream.
I stood in the Forum in Pompeii and looked to the north at Mount Vesuvius,
imagining the horror of the 79 A.D. eruption that destroyed the city.
The volcano literally blew its top off and ejected a column
of hot gases and volcanic debris into the stratosphere.
Ash and pumice rained on Pompeii for over eighteen hours
and accumulated to a depth of 9.2 feet (2.8 meters).
Then hot, dense, rapid flows of gas and volcanic material
buried the city, killing any living things in their paths.
Mount Vesuvius from Pompeii's Forum
Regio VII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
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To walk the streets and explore the buildings of Pompeii was beyond amazing!
But for those of us fortunate enough to visit this storied place
between May 14, 2016 and May 1, 2017 there was an extraordinary event.
For me Pompeii has always been about the violent volcano,
the unparalleled look into the lives of Pompeii's citizens,
the buildings and public spaces, humble and grand,
the frescoes, statuary, mosaics, and architecture.
I did not anticipate a temporary exhibit of monumental sculptures
by a Polish artist I had never heard of and likely never would have:
an exhibit that had me standing in awe at the sight
of huge, fragmented, and broken heads and bodies.
Hermanos
Brothers (2010)
by Igor Mitoraj
Bronze: 293 cm. X 326 cm. X 295 cm.
Outside, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
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Ikaro Blu or Blue Icarus (2013) and Tindareus (1997)
by Igor Mitoraj
Forum with Mount Vesuvius in the background,
Regio VII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
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The Back of Eros Alato Con Mano
Winged Eros with Hand (2013 ~ bronze)
by Igor Mitoraj
Regio VIII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
This made it difficult for me to gather information on the Igor Mitoraj sculptures;
but I kept photographing them because they were hauntingly beautiful.
It wasn't until much later that I was able to find out more
about this Polish artist and his huge sculptures.
Gambe Alato or Winged Legs (left) and Torso di Ikaro (right)
by Igor Mitoraj
Looking toward the Teatro Grande from the Triangular Forum
Regio VIII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
All Rights Reserved
Ikaria (left ~ 1996) and Ikaro Alato (right ~ 2000)
by Igor Mitoraj
Looking from within the Teatro Grande
Regio VIII, Ancient Pompeii, Italy
May 20, 2016
the child of a Polish mother and a French father.
After the end of WW II, he returned to Poland with his mother
and grew up in Grójec, southwest of Warsaw.
He graduated from art school in Bielsko-Biała
and studied painting at the Jan Matejko Academy of Fine Arts in Kraków.
Mitoraj turned to sculpture and traveled in Mexico, France, and Italy
to increase his artistic knowledge as he worked with bronze terracotta, and marble.
Igor Mitoraj
29 April, 2014
Mitoraj's monumental sculptures tap into the classical Greek and Roman tradition
that emphasizes idealized, perfectly proportioned human bodies and unemotional faces.
His truncated torsos and severed limbs reflect the damage
suffered by many of those ancient sculptures throughout time.
Mitoraj wanted his sculptures to reveal human nature and human imperfection.
He said of his art: “The idea of beauty is ambiguous, a double-edged sword
that can easily hurt you, causing pain and torture.
My art is an example of this dichotomy:
mesmerizing perfection attached to corrupted imperfection.”
artsy
Ikaro(left), Ikaria Bretelle(center), and Ikaro Screpolato (right)
by Igor Mitoraj
Looking toward the Basilica near the west corner of the Forum
Regio VIII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
All Rights Reserved
Ikaro Screpolato or Ikaro Cracked (1998)
by Igor Mitoraj
Adjacent to the Basilica near the west corner of the Forum
Regio VIII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
All Rights Reserved
The Feet of Ikaro Screpolato (Icarus Cracked)
by Igor Mitoraj
Adjacent to the Basilica near the west corner of the Forum
Regio VIII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
All Rights Reserved
Ikaro Screpolato (left), Ikaria Bretelle (center), and Ikaro (right)
by Igor Mitoraj
Ikaro Screpolato Bronze: 360 cm. X 120 cm. X 85 cm.
Ikaria Bretelle Bronze: 373 cm. X 153 cm. X 111 cm.
Ikaro Bronze: 360 cm. X 120 cm. X 85 cm.
By the Basilica near the west corner of the Forum
Regio VIII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
All Rights Reserved
As a writer, I am always fascinated by the creative process,
especially with how inspiration strikes and where ideas come from.
Mitoraj said of his process, "There are no theories, there are no explanations.
The works impose themselves on me - I am their slave."
The tragic story of Daedalus and Icarus inspired Mitoraj,
and the exhibit contained a number of magnificent sculptures
based on the two:
Daedalus, the skilled craftsman and artist who created
the labyrinth for King Minos of Crete,
and his son Icarus who flew too close to the sun with wax wings
and plunged to the earth when they melted.
King Minos had imprisoned father and son in the labyrinth,
and Daedalus and Icarus tried to escape with wings crafted by Daedalus.
Icarus drowned in the Mediterranean while his father watched from above.
Mitoraj built on the legend by imagining a sister Ikaria for Ikaro (Icarus).
Mitoraj built on the legend by imagining a sister Ikaria for Ikaro (Icarus).
The Death of Icarus
Regio VIII, Ancient Pompeii, Italy
Daedalus and Icarus fresco, villa imperiale, Pompeii
To me there was a wonderful synergy in the connection
between ancient Pompeii and Igor Mitoraj's art.
After the exhibit ended, the Mitoraj Foundation and the Contini Art Gallery
gave Italy a gift of Mitoraj's Daedalus, one of his sculptures displayed in Pompeii.
It will remain at the entrance to Pompeii near the Temple of Venus.
Daedalus
by Igor Mitoraj
At the Entrance to Pompeii near the Temple of Venus
Regio VIII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
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Daedalus
by Igor Mitoraj
Overlooking the Sorrento Peninsula from the Temple of Venus
Regio VIII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
All Rights Reserved
It was Mitoraj's dream to have his sculptures displayed in Pompeii.
He selected the exact location for each sculpture chosen for the temporary exhibit.
Sadly, he died in Paris on October 6, 2014 and never saw his sculptures
in situ among the excavations of ancient Pompeii.
in situ among the excavations of ancient Pompeii.
This extraordinary exhibit was designed and promoted
by the foundation Terzo Pilastro ~ Italia e Mediterraneo,
with the support of the Ministry of Cultural Heritage and Activities and Tourism.
It was organized by Pompeii's Superintendency, the Contini Art Gallery,
and the Atelier Igor Mitoraj Contemporary Art Museum in Pietrasanta.
Centauro or Centaur
by Igor Mitoraj
Forum, Regio VII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
All Rights Reserved
Pompeiani III (2007)
by Igor Mitoraj
Bronze and Marble: 176 cm. X 75 cm. X 75.5 cm.
Terme Stabiane or Stabian Baths
Regio VII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
All Rights Reserved
One of the Few Female Sculptures at the Pompeii Exhibit
by Igor Mitoraj
Terme Stabiane or Stabian Baths
Regio VII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
All Rights Reserved
Grande Toscano (1981)
by Igor Mitoraj
Bronze: 272 cm. X 185 cm. X 80 cm.
Forum, Regio VII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
All Rights Reserved
The temporary Mitoraj exhibit in Pompeii may be long over,
but I will always remember how exquisite these sculptures were.
Sometimes you just get lucky!
Memorie (2012)
by Igor Mitoraj
Forum, Regio VII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
All Rights Reserved
Fundy Blue
A Very Overloaded Me
after eight hours running around
Pompei Scavi, Italy
after eight hours running around
Pompei Scavi, Italy
May 20, 2019
© M. Louise (MacBeath) Barbour/Fundy Blue
All Rights Reserved
I have provided the best information, documentation, and attributions that I could.
It was difficult because source after source contained similar or verbatim passages,
and for some sources I had to translate text from Italian with Google Translator.
Any mistakes are mine.
For Map Lovers Like Me:
Location of Italy
Attribution: User:David Liuzzo
Location of Pompeii
Location of Modern and Ancient Pompeii
Ikaro Blu or Blue Icarus (2013)
by Igor Mitoraj
Bronze: 223 cm. X 650 cm. X 238 cm.
Forum, Regio VII, Ancient Pompeii, Italy
May 20, 2016
© M. Louise (MacBeath) Barbour/Fundy Blue
All Rights Reserved






















































